Talia Schlanger

Talia Schlanger is a host and radio producer at World Cafe, produced by WXPN, the public radio service of the University of Pennsylvania. Schlanger joins the World Cafe team straight from CBC, Canada's public broadcaster, where she hosted a triple-A radio show on Saturday and Sunday mornings. She was the on-camera host for two seasons of the CBC television series CBC Music: Backstage Pass, which saw her interview some of Canada's best and brightest artists. Schlanger also hosted several prime-time music TV specials for CBC, including the Quietest Concert Ever: On Fundy's Ocean Floor featuring Serena Ryder, CBC Music SongCamp and the CBCMusic.ca Festival Special 2015. Schlanger served as the the interim host of CBC Radio 2's Canada Live and was a regular guest host on CBC Radio One's flagship artist and culture show q. She also filled in on Canadian current-affairs radio shows including As It Happens, Day 6 and Because News. Some of her favorite music interviews include St. Vincent, Tanya Tagaq, John Fogerty, Barenaked Ladies and Grimes.

Schlanger's first project at CBC was as a producer for CBC Music Presents: The Beetle Roadtrip Sessions, a cross-country rock 'n' roll road trip which won a Canadian Screen Award in 2014. She was also the digital producer for Hockey Night In Canada Song Quest, CBC Music's search for the next great hockey song.

Born and raised in Toronto, Schlanger is a proud alumna of Ryerson's Radio and Television Arts program. She's also a professional actress, singer and voiceover artist. Schlanger spent most of 2012 performing in the first national tour of Green Day's rock opera, American Idiot, at various theatres throughout the United States. (She thought she would be really cool when she met Billie Joe Armstrong after he watched American Idiot. She was not cool at all.) She has also performed on stage with Mirvish Productions' original Canadian company of We Will Rock You, as well as in the ensemble and understudying lead roles in Scaramouche, Oz (Canon Theatre, 2007/2008), and in Mamma Mia! (Royal Alexandra Theatre, 2003/2004).

Latin Roots: iLe

Dec 14, 2016

Puerto Rico's Ileana Cabra is a bona fide rising star on the Latin scene, and a recent Grammy nominee. For the last decade, she has cut her teeth singing and rapping with her older brothers in Calle 13. Now, she goes by iLe and has released her first solo record, iLevitable.

Amanda Shires first hit the road when she was 15 years old, as a fiddler with the Texas Playboys. Between releasing four of her own solo records and playing with the Thrift Store Cowboys or with her husband Jason Isbell's ensemble, The 400 Unit, she's been on the road ever since. Until recently, when — at 34 weeks pregnant — she decided it was time to take a break from the road, waddle home and sit down for a minute.

On the cover of Aaron Lee Tasjan's new record Silver Tears, he almost looks the perfect picture of an Americana star. He's wearing a cowboy hat, he's got a brooding expression and he's walking thoughtfully under a cloudy sky. And then there's the Bonanza-meets-disco-ball suit. Bejeweled with hand-glued pieces of mirror, it's a fitting outfit for an artist whose avant-garde and often irreverent approach reflects Americana back at itself.

You could call him the King of the Chitlin' Circuit. You could call him the Godfather of Folk-Funk. You could call him the last of his kind, a blues legend who played alongside Muddy Waters and earned the respect of B.B. King, cutting his teeth with the greatest of the great in 1950s and '60s Chicago. He calls himself Bobby Rush — never just Bobby.

In 2013, the Grammy-winning producer Ian Brennan and his wife, filmmaker Marilena Delli, traveled to the African country Malawi to record the music of inmates at the maximum-security Zomba Central Prison. They came back with a stunning collection of song-stories that made up the Grammy-nominated record I Have No Everything Here.

Twenty years ago, DJ Shadow made his debut with an album composed virtually entirely of samples. It was called Endtroducing, and it set a new standard for the creative parameters of hip-hop. In 2016, he's still pushing the boundaries with his new record, This Mountain Will Fall. In this session, Shadow shares his thoughts on the fine balance between paying homage to hip-hop history and keeping things fresh.

Pages