Talia Schlanger

Talia Schlanger is a host and radio producer at World Cafe, produced by WXPN, the public radio service of the University of Pennsylvania. Schlanger joins the World Cafe team straight from CBC, Canada's public broadcaster, where she hosted a triple-A radio show on Saturday and Sunday mornings. She was the on-camera host for two seasons of the CBC television series CBC Music: Backstage Pass, which saw her interview some of Canada's best and brightest artists. Schlanger also hosted several prime-time music TV specials for CBC, including the Quietest Concert Ever: On Fundy's Ocean Floor featuring Serena Ryder, CBC Music SongCamp and the CBCMusic.ca Festival Special 2015. Schlanger served as the the interim host of CBC Radio 2's Canada Live and was a regular guest host on CBC Radio One's flagship artist and culture show q. She also filled in on Canadian current-affairs radio shows including As It Happens, Day 6 and Because News. Some of her favorite music interviews include St. Vincent, Tanya Tagaq, John Fogerty, Barenaked Ladies and Grimes.

Schlanger's first project at CBC was as a producer for CBC Music Presents: The Beetle Roadtrip Sessions, a cross-country rock 'n' roll road trip which won a Canadian Screen Award in 2014. She was also the digital producer for Hockey Night In Canada Song Quest, CBC Music's search for the next great hockey song.

Born and raised in Toronto, Schlanger is a proud alumna of Ryerson's Radio and Television Arts program. She's also a professional actress, singer and voiceover artist. Schlanger spent most of 2012 performing in the first national tour of Green Day's rock opera, American Idiot, at various theatres throughout the United States. (She thought she would be really cool when she met Billie Joe Armstrong after he watched American Idiot. She was not cool at all.) She has also performed on stage with Mirvish Productions' original Canadian company of We Will Rock You, as well as in the ensemble and understudying lead roles in Scaramouche, Oz (Canon Theatre, 2007/2008), and in Mamma Mia! (Royal Alexandra Theatre, 2003/2004).

For an emerging artist putting out a debut album, recording a session for this show, which airs across the country, could be a nerve-racking experience. Especially if your album features a full electric band, you planned to play with them for the session and on the day, one of the members gets sick and you had to go it alone in front of a live audience. That could be extra nerve-racking.

Bettye LaVette's voice illuminates the definition of a true soul singer. It pierces through the physical and awakens the listener's emotional core. A soul singer's voice is only amplified through experience, and as Bettye told me when we spoke, "I've got so much stuff to cry about, and so much stuff to holler about, and so much stuff to laugh about."

As the saying goes, "You catch more flies with honey than vinegar." So it is for Natalie Prass on her new album, The Future and the Past.

If you think of Willie Nelson as a lot of people do, you might make the same mistake I did on the way up the stairs of his tour bus, Honeysuckle Rose. I imagined we were going to visit a mythical creature or an immortal shaman; in reality, it was better than that.

On her new album, Courtney Barnett does something I don't think many people could do — I know I couldn't do it. She takes an insult that was hurled at her and turns it into a powerful lyric in one of her songs. The insult-turned-lyric is this quote: "I could eat a bowl of alphabet soup and spit out better words than you."

Anyone who says you should never meet your heroes because they will disappoint you has never met John Prine. He is everything you love about his songs. He's warm, funny and wise — although you get the sense he's not trying to be. He cares about people and their smallest details and, as his lyrics might suggest, he'll find a way to work pork chops into the conversation.

Meeting Charley Crockett through his music, you get the sense he's the kind of guy who, in person, would shake your hand, look you straight in the eye and remember your name. Charley was raised in South Texas by a single mom whose unshakable sense of ambition and perseverance rubbed off.

Belly On World Cafe

May 30, 2018

In 1995, Bill Watterson, the author of the Calvin and Hobbes comic strip, decided to end it even though it seemed like the comic was in its prime. Since then, Bill has said, "It's better to leave the party early." Belly, our guest in this session did the very same thing. The band had explosive success with the debut album Star in 1993 and was all over MTV with the hit song "Feed the Tree." Belly released the follow-up King in 1995, grabbing the cover of Rolling Stone in the spring of that year.

Who do you still know from eighth grade? And what's your relationship? Do you check in on Facebook to see how many kids, pets and houses they have? Or have you built an entire career together and made it work for decades, like the co-frontmen of the band Dr. Dog?

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